Le Smoking, the Favourbrook way

“For a woman, Le Smoking is an indispensable garment with which she finds herself continually in fashion, because it is about style, not fashion," Yves Saint Laurent once said. "Fashions come and go, but style is forever.”

It's a sentiment we espouse at Favourbrook. Timelessness trumps trends every time. But it took a maverick like Yves Saint Laurent to shift the paradigm of womenswear, to break it out from a narrow box of perception and to make the world understand that femininity was not going to be bound by the conventions of the past. Saint Laurent held a steadfast view that women should feel empowered in their clothing, a view which reached a seminal point in 1966 when the Algerian-born designer realised 'Le Smoking' - the tuxedo jacket for women with satin-stripe trousers worn with a white ruffled shirt. All the tenets of formal menswear rewrapped in a new view of female empowerment. It was a bold and beautiful change of course, and as so often happens in the face of change, it was originally baulked at by many.

WOMEN'S OLIVE CHATSWORTH SILK JACQUARD SMOKING JACKET

OLIVE CHATSWORTH SILK JACQUARD CIGARETTE PANTS

At Favourbrook this season, we have created our own take on Le Smoking, embracing the spirit of Saint Laurent and his vision for female empowerment. Styled on our very successful men’s smoking jacket, we have come up with one for the ladies, with classic contrasting collar and cuff detail, finished with a corded edge and held closed with classic frog fastening. The stunning floral print lends a softness to the crisp lines of the jacket, giving it a playfulness, without undermining the elegant sensuality of the silhouette.

When Saint Laurent presented his vision in 1966, It was the first time that any couturier had presented trousers as an option for women's eveningwear. Womenswear had been confined to the male structures of femininity, so to turn this on its head and appropriate an inherently male, sartorial outfit was a step too far for many. And literally so, which many restaurants and other establishments refusing women entry in trousers. When socialite Nan Kempner was turned away from restaurant Le Côte Basque in New York, she removed her trousers and wore the blazer as a mini dress, mocking the establishment’s outdated ideas of what the woman should be. Instead, like Saint Laurent, they should have been thinking about what the woman could be.

CASSIE JACKET BLACK PLAIN VELVET

CASSIE JACKET OYSTER LISO TWILL

Saint Laurent's premise took full effect in the 70s as Le Smoking was worn by Catherine Deneuve, Liza Minelli, LouLou de la Falaise, Lauren Bacall and Bianca Jagger. Jagger made it her style signifier, wearing a white tuxedo blazer on her wedding day in 1971. Then in 1975, Helmut Newton shot a series of images that would immortalise Le Smoking and change the perception of female sexuality entirely, from something imposed by the male gaze, to a sexuality that defied definition. Commissioned by French Vogue, in one image Newton had an androgynous woman stood nonchalantly astride the curb in a hazily lit Parisian street, her hair slickly parted, wearing a white cravat. With one hand in her trouser pocket and the other cradling a cigarette, she half shrouds a naked model stood behind her, dressed only in stilettos. As a piece of iconography, it was masterful, and would change how the world perceived womenswear forever.